She then started to tell Rhimou how much she is fond of her out of all her sisters. He apologizes to her for being disrespectful and worrying about his shoe when she has just 19 Bnat La La Mnana, Episode 1 www. The Hajj, an important man in his village, is portrayed as the typical rural man. The theoretical part will tackle the position of women in the Moroccan media according to official reports and statements by experts in the field as well as government figures. Hajj Bahi tries to fix things by saying that she is indeed one of a kind. Hanae and introduces himself. Her friends are afraid that she might have killed him and she says that he deserves it for peeking at them. After having no success, she attempted negotiating Rhimou into buying some of her cheap contraband clothes and left when the latter shouted at her saying that it her father had just died and that it was not the time for business.
He explains that he left his friends and came so as not to leave her alone in her ordeal and she replies by saying that her father is dead and thus she already is alone. After confirming her identity, he tells Younes that her hair does not look natural and that she is probably wearing contact lenses. Enter the email address you signed up with and we’ll email you a reset link. Rhimou asked Bahia what she was doing in there; the latter replied that she was resting. She says that she knows what the women of the village are afraid of. Hajj Bahi tries to fix things by saying that she is indeed one of a kind. The Hajj, an important man in his village, is portrayed as the typical rural man. The second series is Dar El Ghezlane who at the beginning seems like another stereotypical television show but in fact it provides the reader with a different outlook on the situation of the Moroccan women through portraying the pressure that a free thinking Moroccan women who has feminist principles lives under and how she copes with the situation in a rural area where the views on women are traditionally conservative.
He mhana that he does not smell anything bad and that everything is normal and she accuses him of having a nose that does not work properly. However, after Karima leaves the ,ala Mounia reverts to her former state which shows how difficult it is to change some mentalities and that sometimes affection can blind people from such egalitarian considerations. Shortly after that, Karima comes and feigns illness, she asks Rachid to help her sit.
Youssef and Mounia Episode 1, He then asks him if he is married or not, after Rachid says that he is still single Hajj Bahi asks him to pay them a visit at home to get to meet Karima who has grown up and became a woman. The implication in this scene is that being a female will always attract the sexual interest of co-workers and that no matter how good she is at her job —even after successfully performing a heart surgery- she lapa still looked at as a body and e;isode as such.
One of the women responds by saying that she should be neutral, if women are doing work at home then men are doing work outside to provide episoce the family. Hajj blames Hssina, a servant, for not keeping an eye on Karima like he was told. In addition to that, the male doctor was shown as having the upper hand by having her agree to escort him to a date despite the fact that they have only known each other for a few minutes, this further confirms the idea that women are easily manipulated by men and this scene in fact reinforces this and portrays sexual harassment as something normalized in the work place and that women are fine with it.
In another demonstration of sheer bravado, Karima publically challenges the authority of the father figure. Karima eloquently responds by saying that she is not addressing her father now, because her father is at home.
Hanae is a nice person and a competent heart surgeon.
Analysis of the Images of Women 1. They leave him lying in the ground and head for the ceremony. Sfiya Episode 1, Interestingly, this scene depicts the sudden emancipation that the absence of the father figure leaves. Bahia in the Father’s Room Episode 1, She speaks about the inequality that they suffer from and that men are the only ones who are privileged.
It tells the story of Hajj Bahi, the governor of Dar el Ghezlane who is played by the late Mohammed Bestaoui, and how he struggles with his eldest daughter Karima, played by Meriem Zaiimi, who is a feminist in the unlikeliest of places. The second series is Dar El Ghezlane who at the beginning seems like another stereotypical television show but in fact it provides the reader with a different outlook on the situation of the Moroccan women through portraying the pressure that a free thinking Moroccan women who has feminist principles laka under and how she copes with the situation in a epiaode area where the views on women are traditionally conservative.
Chama then entered the scene and ran to hug bnqt grandmother and they sobbed together; Rhimou and Bahia soon joined them.
Hajj Bahi and Mounia Episode 1, This woman, named Sfiya, turned out to be his mother, she complained to Mennana, her daughter in law, and blamed her for not allowing her son to see her bnag in life nor death.
As they stop, Hajj Bahi asks Karima about the meaning of all this, and claims that she is embarrassing herself. The theoretical part will tackle the position of women in the Moroccan media according to official reports and statements by lalaa in the field as well as government figures.
Despite harboring deep affection for her late father, his absence now means that the authority of the father is gone and an example of that is the coming of her secret lover, Imad, which would not have been possible if her father was still alive. It appears that the people of the house were preparing for a special occasion. Images of Women in Bnat Lalla Mennana Once more, the woman is depicted as a disrespectful figure that does not shy away from sneaking into the kitchen in the middle of a funeral to steal food.
Bnat Lala Mnana – Episode 2 – بنات لالة منانة – الحلقة 2
She waits until Karima leaves and calls her episodde again wishing that he would answer the call. After having no success, she attempted negotiating Rhimou into buying some of her cheap contraband clothes and left when the latter shouted at her saying that it her father had just died and that it was not the time for business.
The latter attempts to mnama between them by saying that Karima regrets her doings but Karima says she regrets nothing. Mounia expresses her desire to get married and tells Karima that Rachid has just returned from Spain and that he is downstairs with her father. This reinforces the conservative attitude that rural fathers have towards their daughters and the constraints that they apply on 21 Dar el Ghezlane, Episode 1 www.
Women in Moroccan Media First and foremost, it is of vital importance to bnay some light on the the audiovisual situation in Morocco.
The interesting thing in this scene, however, is the fact that mother in laws are depicted as having the tendency to use emotions to win their grandchildren over to their sides. Karima comes running and grabs a rock; she hits him in the head knocking him unconscious. Khalfi, an amendment in the audio-visual law that will ensure fighting all forms of sexism mnanz discrimination against women in the media.
Bnat Lala Mnana – Ep 2 – Ramadan – بنات لالة منانة – الحلقة الثانية – Youtube Download
She offered the daughters her condolences as she sat next to one of the guests. Another aspect of the misrepresentation of women is that they are repeatedly shown in a position where they heartlessly speak about banal things the new fridge in this case or bnaf to seek personal benefit promoting her merchandize in the most opportune bant moments without regard to the personal feelings of others.
Imad and Chama Episode 1, Likewise, even wearing make-up was faced with scorn which further proves the kind of pressure that female women go through in rural households as depicted in the scene.
Upon noticing him, the women scream and warn one another that there is a man watching them. Aicha Episode 1, Anis complains to him about how exhausted he is. She breaks a vase saying mnsna she will never accept it and walks into her room. They are portrayed as showing one face to people and talking bad about them in their back. Aicha in the Kitchen Episode 1, The way he leered at her showed a clear sexual interest or otherwise deep affection.