It was a totally new dimension of the titles — I loved it. The boss yelled and let me go in front of about a hundred diners. So I plan to keep exploring that path. After reading the script that evening I said ok, no question. Every person on the set just adored Rossy whose presence set the most amazing tone. What can you tell us about your character and what can we expect from the film? She was the oldest — unlike her character — and most experienced, but she never showed any difference or distance with the other girls.
The film had to be shot that summer as the girls were on vacation and were of the same age as the characters they play in the film — and would have to go back to school in the fall. Another impressive film you worked behind the scenes on was Personal Shopper. But I was thrilled and energized by the enormous amount of creative expression you find everywhere there. Is directing a possibility? It is such a pleasure to work with exceptional actors who are generous, sensitive and demanding. In a way, it is there where I found what had been missing in my formal French acting education.
Smart, crazy, funny, beautiful, special, true and as easy to talk with as you would imagine. Published by James Prestridge. I cannot really say more right now but hope that you will hear more about it very soon.
She was open, caring, knew exactly what she had in mind and kept just the right distance. As for Marc, he just shot his first film and told me about his next one, one character in particular. It is a comedy about the absurd and sometimes cruel codes of the elite as well as the confrontation between different social classes.
This is really a studio album having done most of the gillibet on computer. We were all living together in a hotel lost in the mountains near the Black Sea.
Especially acting in the coming months. What was your experience like on this film? She was the oldest — unlike her character — and most experienced, but she never showed any difference or distance with the other girls. How was that project working with incredible talents such as Olivier Assayas and Kristen Fimls I did not know Marc Collin personally but loved the band Nouvelle Vague.
For me, what made this film is the deep cinematography and visceral engagement of the director, coupled with a perfect cast. My American dream mostly took the form of being in small rooms in overcrowded and messy Manhattan co-locations doing hard jobs and enduring lonely moments.
Working the other half. They wear chic, black clothes and are both mysterious and mundane. How has this collaboration with Marc been? They were always ready and excited to shoot, very close to one another, and friendly and professional with everyone in the team. The powerful feeling that if you are passionate and work hard, someone will give you a chance. We looked for the sounds, tempos and vibrations — and explored each cover song until it gradually revealed itself to us.
I have a lot of respect for Olivier, a great filmmaker who uses both space and characters. View all posts by James Prestridge. The gillibet process was fascinating. The film is delicious — beautiful photography, costumes, set design, Parisian bourgeois locations and sharp funny dialogue. The film had to be shot that summer as the girls were on vacation and were of the same age as the characters they play in the film — and would have to go back to school in the fall.
Those five girls are pure beauties in every way.
I made a decision to take a break from pursuing my own creative endeavours and collaborate with others on gil,ibert — to be behind the camera. How do you see your future unfolding? With her husband, they form a powerful couple who have businesses in fashion and the arts.
Sorry, your blog cannot share posts by email. They have no children and he cheats on her. That way of thinking stories, words, people, locations. It was a totally new dimension of the titles — I loved it.
I also made a bit of money singing French songs from the s in bars. We interviewed Elit Iscan last year — perhaps you have violqine story you can share.
The connections between them made them even stronger and more beautiful. I sent him a message asking for a meeting, explaining precisely why him, why Marie Laforet, and why me.
It is such a pleasure to work with exceptional actors who are generous, sensitive and demanding. I truly love being on stage and playing live, but that will be for future projects. We were the only customers there. Leave a Reply Cancel reply. He is an intellectual spirit of action. I love the way she can be both infinitely graceful and tough as nails.
I AM happy Mustang has a special place in your heart. So I plan to keep exploring that path.
Violaine Gillibert, Schauspielerin, Paris | Crew United
Elit is rare with many different things going on for her as an actress — which is no surprise to me. In a way, it is there where I found what had been missing in my formal French acting education. Another impressive film you worked behind the scenes on was Personal Shopper.
It is one of my personal favourite films. Helene is perfect in society, seeing everything and showing nothing. You returned to singing a few years ago, forming the group Barry with Marc Collin. I would love to but I do not have the abilities required. Our crew was small and in many ways the girls gave us light and energy throughout the shoot.
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