IPPOLITA BALDINI FILM

They prefer supporting projects that have low percentage of risk. What is lacking is the courage to risk. This strong lady had always attracted me, she is pragmatic and has a beautiful voice and gaze. The pros and cons. You have to be able to communicate with the audience, this is the job of an actor. Among the actresses that I love:

This is very difficult for actors that are trying to become known. Since I was a kid I did imitations and small shows in my home and at school. Ippolita in the play is the rival of Holly Golightly Francesca Inaudi , and we asked her to tell us the career of a young actress, her difficulties and her achievements. We asked Ippolita to tell us her young career as an actress, the difficulties and achievements that you meet. What I can do on the other hand is speak about the job of an actor in theatre and cinema. It was inevitable, even if it took me years to discover it and find the courage to become one.

So you auto produced yourself. An experience with them would be very useful for my artistic career, because they work with Shakespeare an author that would be far from the bourgeois ones that I have done in the last period. The audience gives the pace to the evening and you have to be able to listen to it, understand it and satisfy it.

It was inevitable, even if it took me years to discover it and find the courage to become one. I would be able to work with great actors and a director that does a superb work on the text and character. The pros and cons. Do you have a dream you would like to come true as an actress?

Ippolita in the play is the rival of Holly Golightly Francesca Inaudiand we asked her to tell us the career of a young actress, her difficulties and her achievements. This is very difficult for actors that are trying to become known.

Today for a young actor times are rather difficult. I was searching a valdini of ippoliga that had been left unexplored. From there on theatre became my drug, a true passion. How did this passion for theatre start? For me it came spontaneously because I had to react to certain difficult or tense situations, it was a way to react to inconvenient circumstances. The responsibility that an actor has on set is very different from the one that you have in the theatre.

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For a 30 year old actor in what type of languages are theatre and cinema and what fundamental differences are there between the two. Cinema arrived in a second moment.

Is there some other young artist with which you would like to work. You need technique, talent, imagination, joy, and passion. What is lacking is the courage to risk. Someone told me that Almodovar was about to start the preparation of a film on Mina.

In theatre the public is fundamental: I was in Berlin and was working as a performer for an artist. In theatre you live the present moment and the audience is either with you or not, in cinema you bring the audience to empathize with your character in different ways: I felt the artificiality and alienation of the actor in the big theatre productions.

Since I was a kid I did imitations and small shows in my home and at school. Theatre has been fundamental in your artistic journey. For this reason I will take ippoliya risk of saying: In cinema the emotion and authenticity of the line and situation gilm to be delivered at every clapboard, in theatre instead you have to follow a defined period of time to create the emotion of the character.

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What does an actor do, today? Can you speak about the work that you did on your self tilm transform in the character of Mina. Could you say that it was in some way inevitable for you to become an actress or did you discover it after a while? I have a very ipplita physicality, big eyes, very tall, and expressive face but I had never been conscious of this and through the study on Mina I was able to have access to this strength.

LINKIESTA February 2013

All of the characters that you meet ippoljta an actor enrich you, you have to search in yourself some similarities to the character and start to build on those. I do these evenings to bring a text, to warm up the atmosphere and give out energy. Staring in the film is the great actress Audrey Hepburn.

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We asked Ippolita to tell us her young career as an actress, the difficulties and achievements that you meet.

Ippolita Baldini ยป VIDEO

Cinema needs interesting souls. The tiger from Cremona. We spoke with one of the actors, Ippolita Baldini, that does the part of Mag Wildwood in a very convincing way. In both situations the actor tries to give his truth by delivering the text, by staying in relation with the other characters and by changing himself radically.

What I can do on the other hand is speak about the job of an actor in theatre and cinema. Who are your guides, the people who inspire you and kppolita you would like to emulate?

In cinema you need a different type of concentration. Is this thing common in these times of crises for an actor?

Ippolita Baldini

This strong lady had always attracted me, she is pragmatic and has a beautiful voice and gaze. I needed to rediscover my audience and the necessity that had guided my choices.

It was a joy to make other people laugh and warm the atmosphere. You have to be able to communicate with the audience, this is the job of an actor. The actor has to repeat the scene many times and he has to find the authenticity and be instinctive.

Among the actresses that I love: The actor has to juggle with these three elements.

There are not many productions, the money that is invested in culture and in the theatre sector is not enough.